The Art of Recording and the Aesthetics of Perfection
Identifieur interne : 001F72 ( Main/Exploration ); précédent : 001F71; suivant : 001F73The Art of Recording and the Aesthetics of Perfection
Auteurs : Andy Hamilton [Royaume-Uni]Source :
- The British Journal of Aesthetics [ 0007-0904 ] ; 2003-10.
Abstract
Recording has transformed the nature of music as an art by reconfiguring the opposition between the aesthetics of perfection and imperfection. A precursor article, ‘The Art of Improvisation and the Aesthetics of Imperfection’, contrasted the perfectionist aesthetic of the ‘work‐concept’ with the imperfectionist aesthetic of improvisation. Imperfectionist approaches to recording are purist in wanting to maintain the diachronic and synchronic integrity of the performance, which perfectionist recording creatively subverts through mixing and editing. But a purist transparency thesis cannot evade the fact that the recorded image is crafted; against creative editing, however, the imperfectionist ideal of the ‘complete take’ is humanistic and anti‐mechanistic, and not mere Romantic illusion. The article concludes with a discussion of the question of the artistic status of recording, and contrasts the possibility of a non‐acousmatic sound art with the essentially acousmatic art of music.
Url:
DOI: 10.1093/bjaesthetics/43.4.345
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 004001
- to stream Istex, to step Curation: 003B27
- to stream Istex, to step Checkpoint: 001865
- to stream Main, to step Merge: 002014
- to stream Main, to step Curation: 001F72
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">The Art of Recording and the Aesthetics of Perfection</title>
<author wicri:is="90%"><name sortKey="Hamilton, Andy" sort="Hamilton, Andy" uniqKey="Hamilton A" first="Andy" last="Hamilton">Andy Hamilton</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:E6753ADE58028D10B21C432C9E51F7B79EC46DAA</idno>
<date when="2003" year="2003">2003</date>
<idno type="doi">10.1093/bjaesthetics/43.4.345</idno>
<idno type="url">https://api.istex.fr/document/E6753ADE58028D10B21C432C9E51F7B79EC46DAA/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">004001</idno>
<idno type="wicri:Area/Istex/Curation">003B27</idno>
<idno type="wicri:Area/Istex/Checkpoint">001865</idno>
<idno type="wicri:doubleKey">0007-0904:2003:Hamilton A:the:art:of</idno>
<idno type="wicri:Area/Main/Merge">002014</idno>
<idno type="wicri:Area/Main/Curation">001F72</idno>
<idno type="wicri:Area/Main/Exploration">001F72</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">The Art of Recording and the Aesthetics of Perfection</title>
<author wicri:is="90%"><name sortKey="Hamilton, Andy" sort="Hamilton, Andy" uniqKey="Hamilton A" first="Andy" last="Hamilton">Andy Hamilton</name>
<affiliation wicri:level="1"><country wicri:rule="url">Royaume-Uni</country>
<wicri:regionArea>Department of Philosophy, Durham University, Durham DH1 3HP</wicri:regionArea>
<wicri:noRegion>Durham DH1 3HP</wicri:noRegion>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">The British Journal of Aesthetics</title>
<title level="j" type="abbrev">Brit J Aesthetics</title>
<idno type="ISSN">0007-0904</idno>
<idno type="eISSN">1468-2842</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published" when="2003-10">2003-10</date>
<biblScope unit="volume">43</biblScope>
<biblScope unit="issue">4</biblScope>
<biblScope unit="page" from="345">345</biblScope>
<biblScope unit="page" to="362">362</biblScope>
</imprint>
<idno type="ISSN">0007-0904</idno>
</series>
<idno type="istex">E6753ADE58028D10B21C432C9E51F7B79EC46DAA</idno>
<idno type="DOI">10.1093/bjaesthetics/43.4.345</idno>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0007-0904</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Recording has transformed the nature of music as an art by reconfiguring the opposition between the aesthetics of perfection and imperfection. A precursor article, ‘The Art of Improvisation and the Aesthetics of Imperfection’, contrasted the perfectionist aesthetic of the ‘work‐concept’ with the imperfectionist aesthetic of improvisation. Imperfectionist approaches to recording are purist in wanting to maintain the diachronic and synchronic integrity of the performance, which perfectionist recording creatively subverts through mixing and editing. But a purist transparency thesis cannot evade the fact that the recorded image is crafted; against creative editing, however, the imperfectionist ideal of the ‘complete take’ is humanistic and anti‐mechanistic, and not mere Romantic illusion. The article concludes with a discussion of the question of the artistic status of recording, and contrasts the possibility of a non‐acousmatic sound art with the essentially acousmatic art of music.</div>
</front>
</TEI>
<affiliations><list><country><li>Royaume-Uni</li>
</country>
</list>
<tree><country name="Royaume-Uni"><noRegion><name sortKey="Hamilton, Andy" sort="Hamilton, Andy" uniqKey="Hamilton A" first="Andy" last="Hamilton">Andy Hamilton</name>
</noRegion>
</country>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MozartV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001F72 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 001F72 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= MozartV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:E6753ADE58028D10B21C432C9E51F7B79EC46DAA |texte= The Art of Recording and the Aesthetics of Perfection }}
This area was generated with Dilib version V0.6.20. |